D16 Group’s Godfazer Go to product viewer dialog for this item.
is an advanced modulation unit capable of creating chorus, phasing, filtering, and rotary emulations. Mastering it allows you to transform static synths, basslines, and vocals into dynamic, movement-heavy soundscapes. The Core Architecture To master sound design with the D16 Group Godfazer Go to product viewer dialog for this item.
, you must understand its three interconnected building blocks:
The Ensemble Section: Features 22 effect types including BBD-based choruses, Solina-style ensembles, rotary speakers, and auto-panners.
Dual Multi-Filters: Two identical blocks offering 40 diverse filter options, spanning from low/high-pass to vowel formants and vintage phasers.
Dual Modulators: Two independent modulation blocks with four routing modes: Constant offset, LFO, Envelope Follower, and a 16-step Step Sequencer. Key Sound Design Workflows 1. Crafting Textural and Smeared Basslines
The plugin excels at smoothing out harsh low-end frequencies while injecting movement.
Tame Highs: Route the signal into a low-pass Multi-Filter to soften overly bright digital bass patches.
Add Texture: Use the Ensemble’s chorus or phaser settings to slightly smear the low-end signal, helping the bass sit wider in the mix.
Prep for Distortion: Place Godfazer before a wave-shaper or distortion plugin. The phase movement alters how the distortion clamps down, creating unique harmonic grit. 2. Creating Transitional Leads
You can use the multi-filter combinations to write dynamic arrangements and tension builders.
Frequency Carving: Assign an envelope follower or LFO to cut crucial mid-range frequencies from a lead synth during the buildup.
The Reveal: Automate the bypass or filter cutoff to restore those missing frequencies exactly on the “drop” or chorus. This sudden sonic explosion makes the transition highly impactful. 3. Advanced Rhythmic Modulation
Stepping away from basic LFOs unearths Godfazer’s true modular power.
Rhythmic Movement: Load the 16-step sequencer into Modulator 1 to step-modulate a vowel or formant Multi-Filter. This gives static chords a rhythmic, talking quality.
Dynamic Response: Set Modulator 2 as an Envelope Follower linked to your input amplitude. The filter will open wider the harder you hit the synth keys, making your patch highly expressive. Mastering the Signal Routing
One of Godfazer’s strongest assets is its six topology options. Changing the routing topology fundamentally alters your sound design: Topology Intent Signal Routing Setup Traditional Modulation Ensemble feeds into the Multi-Filters sequentially. Complex Layering
Splitting the signal so the Ensemble runs parallel to Multi-Filter 1, recombining before Multi-Filter 2. Phased Isolation
Processing the raw filters first, then applying the Ensemble smoothing exclusively to the end of the chain.
See how Eric Burgess adjusts the speed, depth, and filter parameters within Godfazer to add variety and resonance to a synthetic lead line: MMTV: D16 Group’s Godfazer Creative Leads | Eric Burgess 7.8K views · Mar 27, 2020 YouTube · Music Marketing TV Power-User Tips
Invert Polarity: Don’t ignore the small polarity inversion buttons on the Multi-Filter inputs. Clicking these can cause phase cancellation, opening up hollow, futuristic, or metallic timbres.
Channel Offsets: Use the Constant Modulator to apply static offsets to the left and right channels. This spreads the filter cutoffs unevenly across the stereo field, instantly widening your sound.
If you would like to dive deeper into a specific patch, let me know:
What type of sound source are you processing? (e.g., drums, vocals, ambient pads)
What sonic goal are you aiming for? (e.g., rhythmic glitching, vintage warmth, extreme stereo widening) MMTV: D16 Group’s Godfazer Creative Leads | Eric Burgess
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